Where the Future Came From
Publication
Publisher: Soberscove Press
Editor: Meg Duguid, curator
Released: May 2020
Chicago is distinctive as a longstanding hub for artist-run culture. Where the Future Came From expands upon previous research into this realm by focusing on the collective efforts of women and women-identified artists from 1880 to the present. Integral contributors to the city’s thriving art scene throughout its history, these artists have long defined how we create and organize collaborative work.
This book documents a 2018–2019 participatory exhibition and related programming at Columbia College Chicago's Glass Curtain Gallery that addressed this history. In addition to a chronology of nearly fifty artist-run spaces and projects spanning over two hundred forty years, essays and transcripts of presentations and conversations by and between over thirty artists, organizers, curators, and historians offer personal as well as scholarly accounts of feminist cultural work, much of which has not been chronicled before. Where the Future Came From reveals a dynamic continuum of practices in Chicago's art scene, shaping a critical conversation that places organizing by women and women-identified makers at the core of artist-run culture in Chicago and beyond.
Contributors: Tracey Jean Boisseau, Estelle Carol, Daisy Yessenia Zamora Centeno, Carol Crandall, Mary Ellen Croteau, Jory Drew, Meg Duguid (editor), Courtney Fink, Luz Magdaleno Flores, Jeffreen M. Hayes, Tempestt Hazel, Joanna Gardner-Huggett, Mary Ann Johnson, Sam Kirk, Rana Liu, Sharmili Majmudar, Nicole Marroquin, Meida Teresa McNeal, Beate Minkovski, Lani Montreal, Neysa Page-Lieberman, Melissa Potter, Amina Ross, Jennifer Scott, Kate Sierzputowski, Jennifer Sova, Gloria Talamantes, Kate Hadley Toftness, Arlene Turner-Crawford, and Lynne Warren.
ISBN: 978-1-940190-24-2
Soft cover, 272 pages
Printed in the USA.
